#Dmitry shkolnik iconographer archive#
#Dmitry shkolnik iconographer series#

I would also like to express my special gratitude to the curators of the Drawings Department at the Russian Museum in St. This book could not have been written without his help, advice and support. This book is printed on acid-free paper and produced in a sustainable manner.Д¬ontents Acknowledgements ix Notes on Transliteration and Conventions List of Illustrations xii Abbreviations and Glossary xxi IntroductionДЎ Roots of Proletarian Culture 32 2 Festivals and Proletarian Art under the Tsars and the Provisional Government 58 3 Narkompros versus Proletkult: Festivals and Proletarian Art after the Bolshevik Revolution 92 4 The Victory of Figuration over Futurism: from Cultural Diversity to Military Parade 189 5 Street Art вЂ“ Collective, Politicised: the New Public Spectacle EpilogueДЄcknowledgements Throughout the research and the writing of this book, many friends and colleagues have been enormously supportive and helpful to me, but I would particularly like to thank my supervisor, Professor John Milner, who advised me to extend my research from an article and write a book instead. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi, Brill Sense and Hotei Publishing. Typeface for the Latin, Greek, and Cyrillic scripts: вЂњBrillвЂќ. Classification: LCC NX180.S6 (ebook) | LCC NX180.S6 M865 2018 (print) | DDC 701/.03вЂ“dc23 LC record available at

| Saint Petersburg (Russia)вЂ“CivilizationвЂ“20th century. | Working classвЂ“Russia (Federation)вЂ“Saint PetersburgвЂ“HistoryвЂ“20th century. | Communism and artвЂ“Russia (Federation)вЂ“Saint Petersburg. | FestivalsвЂ“Political aspectsвЂ“Russia (Federation)вЂ“Saint PetersburgвЂ“HistoryвЂ“20th century. | Series: Russian history and culture Volume 20 | Includes bibliographical references and index. Description: Roots of proletarian culture вЂ“ Festivals and proletarian art under the tsars and the Provisional Government вЂ“ Narkompros versus Proletkult : festivals and proletarian art after the Bolshevik Revolution вЂ“ The victory of figuration over futurism : from cultural diversity to military parade вЂ“ Street art-collective, politicised : the new public spectacle.

Title: Art for the workers : proletarian art and festive decorations of Petrograd, 1917-1920 / by Natalia Murray. Library of Congress Cataloging-in-Publication Data Names: Murray, Natalia, author.

#Dmitry shkolnik iconographer archive#

Photo: Р¦Р“РђРљР¤Р¤Р” РЎРџР‘ (Central State CinePhotoPhono Archive St. Festive decorations on Sadovaia street in Petrograd.

#Dmitry shkolnik iconographer series#

The titles published in this series are listed at /rhcДЄrt for the Workers Proletarian Art and Festive Decorations of Petrograd, 1917-1920Д¬over illustration: Unknown artist. Brooks (The Johns Hopkins University) Christina Lodder (University of Kent) Russian History and Culture Editors-in-Chief Jeffrey P. Street Art 2013 Collective, Politicised: the New Public Spectacle The Victory of Figuration over Futurism: from Cultural Diversity to Military ParadeД¬hapter 5.

Narkompros versus Proletkult: Festivals and Proletarian Art after the Bolshevik RevolutionД¬hapter 4. Festivals and Proletarian Art under the Tsars and the Provisional GovernmentД¬hapter 3.